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The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupationalartschool(at)gmail(dot)com .

Monday
Nov072011

OUR CALL FOR VOLUNTEERS IS READY!

[Thanks, Sally, for your incredible work!]

Calling all creative activists! The Wall Street Occupennial seeks enthusiastic participants to work with artists producing projects, performances, and actions within the #Occupywallstreet movement. Artists who already have a project in mind, but NEED participants/assistance, this call is for you too!

The Wall Street Occupennial, a working group of the Arts and Culture Committee, is an urgent call for artists to contribute to the ongoing #OccupyWallStreet (#OWS) movement in New York City and beyond. The Occupennial database (www.occupennial.org) serves to document and archive ongoing artist efforts that are in solidarity with the movement in Zuccotti park, as well as nationally and internationally. It also hosts a forum on 99% and occupation art, lists available spaces and resources, and strives to connect like minded and creative people together to build momentum and really make things happen!

Like the movement as a whole, many of the projects being developed cannot become a reality  or be sustained at the hand of one person working alone. It has also become clear in the weeks since the occupation began, that a number of individuals, groups, classes, etc want to join in the movement, especially through creative actions, but are unsure of how to get involved in a movement that is already so developed.

If you are someone who would like to participate in the movement through creative action please reply immediately to  occupennial.volunteers@gmail.com with the information requested below and The Wall Street Occupennial will connect you to an artist or team of artists that need your help!

1. Your name and contact information (email and telephone number)

2. Days/times you are available to volunteer.
This could be more general availability like: Mondays and Thursdays from 1-6 PM, or more specific: Monday 11/7 from 4-10PM, Thursday 11/10 from 3-7 PM, and Friday 11/18 all day. You can be as open or specific as your schedule allows, but keep in mind that the more flexible you are, the more likely we will be able to link you up with a project. If you do not hear from us immediately, don't worry, more and more artists are coming to us every day and that means soon there will be no shortage of projects to dive into!

3. (Optional) Specific skills/resources you have to offer a project and/or types of projects you are most excited about working on (see www.occupennial.org for examples of all the incredible projects that have happened so far.)

**If you are an artist in need of volunteers/participants to make your project happen:**

Send us a description of your idea, any applicable supporting imagery, and as much information as you have and we will work to connect you with volunteers to help you make it happen! If you have a specific date/time in mind for your project to happen, we will work to find participants for that date, but even better, if you are flexible with the timing, we can direct you to a time that already has a group of eager participants lined up and ready to go!

Please send all replies and inquiries to: occupennial.volunteers@gmail.com

The time is now. We can't wait to meet you!

Sunday
Nov062011

Occupy Union Square - SUNDAY, Nov 6, 1PM

Public Movement will be performing in Union Square at 1PM, followed by a GA initiated by several members of the Arts & Culture Working group at 1:30PM.

We will be meeting at Libery Plaza at 10AM to make signs and discuss agenda items for Occupy Union Square, and heading over to Union Square around noon. Performance starts at 1PM, the GA will begin at 1:30PM. Join in and bring your friends.

Friday
Nov042011

@OCCUPYALERT

Tell others to join via SMS by texting:
@occupyalert to 23559

 

  • Attached is a QR code that will load the message into people's phones.  
  • Please hit social media: post this number/info to Facebook and Twitter 



Thursday
Nov032011

Warhol_Andy_Reed_Lou_Machine_Music_Money_Paintings

 

by Joseph Nechvatal 2011

audio: MACHINE MUSIC 4 (1975) compressed by Joseph Nechvatal

The audio track is 15:56 minutes of Reed's MACHINE MUSIC (side 4) compressed into 1 minutes and 6 seconds.

Wednesday
Nov022011

"Positions" by Public Movement and teach-in on non violence disobedience - Friday 11/4 1PM

Positions - An Action by Public Movement

Positions (NYC, Washington Square, 11/4/11) Friday, November 4, 1 p.m., Washington Square Park

**Following this performance the #OWS Direct Action group will hold a rally and a teach-in on non- violence disobedience at 1:30PM**


Positions (NYC, Union Square, 11/6/11)
Sunday, November 6, 1 p.m., Union Square South

This week, the action and research group Public Movement presents Positions, a choreographed demonstration that invites people to take a stand on any number of urgent issues. Presented in Warsaw, Holon, Bat-Yam, Eindhoven, Heidelberg, Stockholm, and now New York, the Movement invites the public to embody their preferences, aspirations, and beliefs—manifesting political and philosophical ideas as physical positions in Washington Square Park and Union Square South. This will be Public Movement’s first presentation in the United States.

In February 2011, Public Movement leader Dana Yahalomi began her research toward a project for New York, meeting with artists, historians, urban planners, memorial designers, politicians, government officials, and NYPD officers. The residency continues from January–April 2012, during which time Yahalomi will present bi-weekly salons as part of the 2012 New Museum Triennial, “The Generational.” The salons will culminate in a newly commissioned action for New York City in April 2012.

Public Movement is a performative research body that investigates and stages political actions in public spaces. The Movement explores the political and aesthetic possibilities that reside in a group of people acting together. It studies and creates public choreographies, forms of social order, and overt and covert rituals. Public Movement was founded in November 2006 and was led by Omer Krieger and Dana Yahalomi until August 2011, when Yahalomi became the sole group leader. Visit their website for more information.

Tuesday
Nov012011

"Evil Empire"

Shared with Occupennial by artist Vittorio Ottaviani

The painting refers to the  abuse of power.  Some of the officials that we elect to represent our voices seem to be motivated by personal greed, which leads to unfortunate consequences for the general population.

2011. Oil on Mahogany, 31 x 44

Tuesday
Nov012011

Reposted from ARTSblog

The Art Inside #OccupyWallStreet

Posted by Amanda Alef On October - 31 - 2011

The art of signs used at #OWS (photo from hyperallergic.com)

Throughout history art has been fundamentally intertwined with social movements and political activism and it continually serves as a critical avenue through which to question, comment on, and influence change in the world around it. And this time around is no exception.

While the Occupy Wall Street movement continues to gain momentum, the arts have become a unique tool in the movement’s development and have played a central role in the creative expression of the movement’s message.

On any given day the artistic pulse of the movement can be witnessed through the countless cardboard signs on display throughout downtown Manhattan’s Zuccoti Park, as well as the emergence of a screenprinting lab, daily open stage performances, and the constant presence of musicians who add song to the movement’s message.

Only fourteen days after protesters began occupying, the formation of the Arts and Culture Committee emerged as a subcommittee of the movement’s general assembly. This collection of painters, graphic designers, musicians, art students, and more, represents the creative voices of the movement and have been working to support the peaceful occupation of Liberty Square and to foster participation in the creation of cultural work that amplifies the movement’s message.

Last week I reached out to the Arts and Culture Committee to learn more about their mission, message, and how the arts have been playing a part in uniting and driving the movement on the ground level:

Amanda Alef: What is the mission and role of the Arts and Culture Committee in the #OccupyWallStreet (OWS) movement?

Arts and Culture Committee: Communication through art is essential to this movement. We, the Arts and Culture Committee of #OccupyWallStreet, believe art is not a luxury item. It is a commonwealth that belongs not just to the 1%, but to all of us. We believe that art-making is not privileged to so-called talent or relegated to extracurricular activity, but, rather, that it is a universal language that is essential to human growth, learning, happiness, and sustainability.

By engaging artists within the occupation and by sharing the principles of the occupation with those on the outside, we will build a creative revolution together.

We encourage artists to create their individual mission statements with the same love, patience, and care that one gives to a work of art. We are not a political party or a nonprofit corporation—we are a social movement. And we, the 99%, give ourselves and you the permission to continue to re-imagine what a mission statement can be. Let’s dream big together.

AA: In what ways are the protestors at OWS utilizing artistic practices to express their political and personal viewpoints?

ACC: The occupation itself is art, birthed from a set of values and principles that activate creative, independent, and critical thought. We are painting signs and bodies, playing music, dancing, singing, and composing poems. We are occupying NYC with street theater and interventions. We are sharing stories and books. We are mounting art exhibits and libraries. We are building websites, taking photographs, making movies, archiving work, and bearing witness.

AA: What role have the arts played in the development of the OWS movement and its message thus far? And in what ways can they contribute to sustaining this movement?

ACC: #OccupyWallStreet is our Constitutional right to free speech and free expression. Art has always been at the forefront of these rights. It is as much a part of the occupation as eating, sleeping, marching, and talking. We are occupying Wall Street and making art at the same time and for the same reason. We make visible the cracks in society and fill them with creative solutions.

AA: Since its conception, have more artists been joining the movement? And in what ways can they contribute creatively to the movement?

ACC: Artists from around the world are joining us daily. We encourage supporters, some of whom may never before have dared to identify as “artists,” to tap into their inner creativity and collaborate with us. We are actively reaching out to others to help us build a broader and stronger community that provokes an alternative dialogue.

We encourage artists to occupy beyond Wall Street. We must occupy our homes, our studios, our museums, our schools, our workplaces, our neighborhoods, our towns, and cities. We must bring the art of the people back to the people.

AA: What types of art or cultural events have taken place during or in connection to the occupation?

ACC: Some of the art that has already happened at #OccupyWallStreet is archived at http://www.occupennial.org/ows-art-listing/ and https://www.nycga.net/groups/arts-and-culture/. We are constantly developing more art actions for the near future.

The #OccupyWallStreet movement has received much interest from many different people, projects, and institutions. This support is welcome provided that these parties follow or are open to dialogue about adopting our principles. Some commercial galleries and institutions have tried to take advantage of this movement by appropriating the name, symbols, and art of the movement without abiding by its principles. Some have deliberately deceived artists in order to amplify their agendas and increase their personal profits.

It is important for us to remember that we are not a business. We are not a political party. We are not an advertising campaign. We are not a brand. We are not for sale. We support partnerships with those who wish to make this movement accessible to all, regardless of economic, political, ethnic, or social status.

[NOTE: ARTSblog is the online journal for Americans for the Arts. The responses above were developed through AC working groups.]

Tuesday
Nov012011

“L’histoire du Soldat” At Zuccotti, Nov. 3rd, 5-6pm

Stravinsky’s timeless and haunting “L’histoire du Soldat” (“The Soldier’s Tale”), a parable for three actors and seven musicians, will be performed for Occupy Wall Street at Zuccotti Park by Broadway actors and New York musicians on Nov. 3rd from 5-6pm, with a possible additional performance on Nov. 4th.


*(NOTE: Nov. 4th is our back-up rain delay date!  We’ll keep you posted!)*

Stravinsky and C.F. Ramuz’s hour-long tale/ballet/oratorio tells the story of a Soldier on leave to see his sweetheart.  Nearly home, he is sidetracked by the Devil.  In an infernal insider-trading scheme, the Soldier gains a magic book that tells the future of the economy, but, in return, must give up his precious violin.   Imprisoned - by the Devil, his newfound wealth, and his own delusions - this veteran is separated from his loved ones and true happiness.  This fairy tale, spoken in sparkling verse to some of Stravinsky’s most charming and memorable music, is about the complex nature of greed, and the meaning and price of freedom. Its themes resonate effortlessly with the aims and ideals of the Occupy Wall Street movement.

Starring famed New York actors Erik Liberman (Broadway, “LoveMusik,” Helen Hayes-Award Winner for “Merrily We Roll Along”), Elizabeth Stanley (Broadway, “Company,” “Cry-Baby,”), and Nick Choksi (“Invasion” at The Flea, “Twelfth Night” with Sonnet Rep, regular on “One Life to Live”), and with some of New York’s finest contemporary music performers conducted by Ryan McAdams, this one-time-only performance explores the relationships between money, love, and happiness through a fairy tale that is, like all great fairy tales, beautiful, terrifying, funny, and deeply moving. 

Tuesday
Nov012011

Occupennial Update - 10.30.11

Hey all. Lots of progress on numerous fronts.

Yaelle spearheaded a major overhaul/streamlining organizational restructuring of the Occupennial website, spending a lot of hours adding/shifting content to make the site more usable. If you take a peek at Occupennial.org, you'll see the sidebars (right and left) contain a lot fewer sections. The subsections are more sensible. I won't spend a lot of time going thru the details, since we'll be discussing this at tomorrow's meeting. Great job Yaelle!

Monty Stilson took on admin role for the photography section and massively streamlined that area. For now, there are just three individual galleries online. We will be adding the general galleries (protests, protesters, signs) in the next several days. Monty purchased the domain Occupeyes.org so we can have a direct link site to migrate the individual photog galleries offsite after a period where each is featured (as they come in). All will be added to the 3 databases, which can be expanded, if we need more categories down the line. Monty also set up a facebook site for Occupeyes, so we can offer users the option of data-dumping/direct uploading their images (from protests, in real time), it that's their preference/immediate need. We can discuss more the photo archives/galleries at tomorrow's meeting.

The big news is the upgrade. Thanks to Monty for doing the purchase up-front! The Occupennial site is now capable of having forms, so we can set up our throughputs like so:

Project-proposals, guild/AC/Occupennial inquiries
> through Occupennial forms
> Guilds
> back to Occupennial for documentation/bundling
> AC for approval
> if AC approved, to GA for approval/funding if necessary
> funds to the artists/projects if approved by GA
> actualization
> evaluation by all parties
> documentation at Occupennial and/or the AC site (to be), as well as in the various guild sites

I sent an email to all the guild folk letting them know about the forms.

Since our Monday meeting will be a quickie, focused on site structure, and because two of the bundled projects are still in process of revision, I'm holding off on listing here in any detail what we'll be bringing to AC later in the week for approval. Here's the list in brief:

    •    OWS/Low Lives
    •    Pop-UP/Zuccotti
    •    Printed Matter Storefront Window Display for November
    •    Joy Behar (artist tour of Liberty Sq)

The outreach letter is in process. Sally is hacking at that today/tomorrow. Tamara of Fab wrote over the weekend she's looking forward to working with us to get the word out. I attended a Communications/Outreach meeting last Wednesday, during which the Outreach guy mentioned they have a very large list of people who want to get involved. I'll be contacting the OR peeps this week to see if they can help with our efforts. Hopefully by the end of the week we'll be able to begin our campaign to build teams for tasks/attracting content/submissions.

Last, Chris is planning on developing an OWS art history section for the site, and I reached out to Blithe, asking if she wanted to facilitate a similar section for artist/work issues.

Think that's it for now..
p


Saturday
Oct292011

#OCCUPYWALLSTREET LIFE DRAWING CLASS THIS SUNDAY

David Horvitz will be hosting a Life Drawing class This Sunday inside the Wall Street Occupation.

We will do sketches of the police officers who are stand on the periphery of the occupation. Paper and boards will be supplied, bring your own if you can.
Sunday, October 30, 2PM-4PM
Meet under the Mark di Suvero sculpture (aka the Red Thing)
Note: this is not intended to antagonize the police! We are just returning an attentive gaze. Their's is one of surveillance, ours is more about shape, form, light, shadow, and line.
Saturday
Oct292011

Art Action: About Falling

Artist Ehud Darash presented his planned intervention at 16 Beaver last night.

Please join him in making this action happen:

What: About Falling in OWS
Where: The red cube, across from Zuccotti park
When: Sunday, October 30th, 12PM.

 

Description: We are going to fall, very slowly - from standing to laying down, in the vicinity of Zuccotti Park. It is an artistic action that is adressed *to* OWS, celebrating the diversity of this movement by introducing to it a temporary "otherness" - a different way of being.

We will meet at the red cube for a short teach-in and an explanation of the background of this gesture and practice.

The following is an example of previous renditions of the action:


Thursday
Oct272011

NYCGA Hand Gestures

A Flickr photoset by "Newest Mutant"

 

Thursday
Oct272011

16 Beaver [10.28.11]

Friday - 10.28.11 – Occupation: Calls and Responses

Contents:
1. About this Friday
2. A call
3. A note on the format
4. Links

__________________________________________________
1. About this Friday

What: Presentations and discussion
When: Friday -- 10.28.11 @ 7:00PM
Where: 16 Beaver Street, 4th Floor
Who: Free and open to all

As Occupy Wall Street stretches into its sixth week and spreads across the
globe, a variety of questions have emerged about the directions it can
take.

What are the modes in which artists and cultural workers have contributed
or could imagine contributing to the ongoing occupation(s)? What
situations or processes can be constructed (collectively)?

As people form affinity groups and begin to find experiences of a unitary
time, what new forms of life are potentially emerging? What kinds of
actions and infrastructures could support generalizing and supporting the
reproduction of such forms of life or culture?

If one of the strengths of this emergent movement is its ability to embody
a different politics, what kinds of consequences does it have in the
sphere of culture? How might the know-how and know-what of architects,
artists, filmmakers, writers, thinkers, teachers, and students contribute
toward the development of a new political culture / movement?

We would like to use the space this Friday evening to consider some of
these different approaches and imagine together potential ways in which
these processes can be intensified.

Aside from the risks of any police actions, are the risks of certain
normalizing processes entering, which risk delimiting the potential growth
and experimentation inherent in this process? And at what stage and in
what manner do we implicate (occupy?) the institutions (from universities
to museums) which have assumed (often uncritically) the same neoliberal
values, measures and cultures which have produced this crisis?

Of course, there is already an aesthetic dimension to the ongoing
occupation, one that links bodies laying claim to the space of the street,
with images and sounds of those bodies transmitted across the planet.
Moreover, artists and cultural workers have participated in organization,
planning, logistics, and practice of the occupation in varied ways. From
working inside the various work groups of the general assembly, to others
who have contributed with ‘protest art’ of slogans, chants, signs,
puppets, music, screenings, programming, hacking, diverse interventions,
teach-ins, performances, acts of civil disobedience, and audio-video
documentation of all of the above.

While acknowledging the importance of these manifestations, and wanting to
see and hear more of them, we also wonder what ways can our particular
know-how be elaborated at this juncture? What else can be made visible,
audible, legible?

What we want to do is give space to consider and bring various positions
and proposals together in one room. The hope is to create a space oriented
toward amelioration and development of actions, new uses of this context,
development of new proposals, rather than appearing smart or right or
taking the position of a spectator (however emancipated).

__________________________________________________
2. A call

Bring proposals, sketches, ideas for actions, events, words, images,
demonstrations, both possible and impossible. Share reports or
documentation of things that have happened, may have happened, failed, or
could be done.

________________________________________________
3. A note on the format

Everyone is welcome to come and to contribute to discussion.

For those interested in presenting, a computer and projector will be
available to amplify sound and show images. In order to speed up
transitions between presenters, interested contributors are encouraged to
submit materials in advance via file-sharing services (dropbox, yousendit,
etc.). Please send a link to the materials to the following email address:

16beaversubmit@gmail.com

Those who are not able to submit materials in advance are still invited to
bring them on Friday, but also encouraged to arrive a bit early.

Please anticipate short presentations, approximately 5-7 minutes each. We
will try to adjust the timing of the presentations (shorter or longer) to
accommodate the number of respondents.

__________________________________________________
4. Links

NYC General Assembly: http://nycga.net/
NYCGA Arts & Culture working group:
http://www.nycga.net/groups/arts-and-culture/
NYCGA Direct Action working group:
http://www.nycga.net/groups/direct-action/
NYCGA Media working group: http://www.nycga.net/groups/media/

Occupy Wall Street: http://occupywallst.org/

Global Revolution: http://www.livestream.com/globalrevolution

Franco Berardi & Geert Lovink
"A Call to the Army of Love and to the Army of Software"
http://networkcultures.org/wpmu/geert/2011/10/12/franco-berardi-geert-lovink-a-call-to-the-army-of-love-and-to-the-army-of-software/

And And And
"Letter To the General Assembly and Affinity Groups of Occupy Wall Street"
http://andandand.org/event10_letter_to_ows.pdf

__________________________________________________
16 Beaver Group
16 Beaver Street, 4th fl.
New York, NY 10004

for directions/subscriptions/info visit:
http://www.16beavergroup.org

TRAINS:
4,5 -- Bowling Green
2,3 -- Wall Street
J,Z -- Broad Street
R -- Whitehall
1 -- South Ferry



Thursday
Oct272011

OCCUPY MUSEUMS [2] TODAY!

This Thursday 10/27/11, Occupy Museums returns to MoMA!


Meet at 2:30 PM, Liberty Square, for an information-sharing assembly (under red sculpture) OR meet at 4:00 PM at MoMA.


We will be joined by the Art Handler’s Union, Teamsters Local 814, who have been locked out of their Sotheby’s union jobs for over three months now. Following Occupy Museums, we will march to the Teamsters’ picket line at the Sotheby’s evening auction, which starts at 6:00 PM on 1334 York Avenue.


Occupy Museums and the Teamsters Local 814 stand together in solidarity!


Please join us and to bring your own manifestos (BYOM), to read in the General Assembly at the doors of the museum! Please keep them short- 3 minutes max so that everyone can participate. For this action
we are moving away from the voice of a sole author to a collective voice. We welcome all to be part of our assembly and let your voices be heard!


What is Occupy Museums?


We are artists, art lovers, and art workers! We live and love art and are committed to its growth. However, we see many museums in their current manifestations as key elements of a larger system whose funding structure and relationship to the market, disempowers artists, and alienates art from the 99%. Value is manufactured by false scarcity, propped up by the cult of celebrity and the parlor game of speculation. This undermines the potential power of art to be a much greater force in our society.


We believe that to Occupy is to claim space for dialog and transparency through the physical presence of our bodies. It is to hold space that was previously inaccessible. As Occupiers, we bring the General Assembly to the doors of the museum, to engage in a dialog about the relationships between the arts and capitalism.
This is only the beginning.


At its core, the Occupy Movement is about imagining and building a just and democratic future. It is generative not destructive. We are shifting collective consciousness. We are here to envision what the museum can be, what art can be, and how we can create a society that works for the 100%.

Schedule:
2:30 -- Informational assembly at Liberty Square
3:15 -- Occupy 4 train to MoMA
4:00 -- General Assembly at MoMA!
5:00 – March or M31 Bus to Sotheby’s at 1334 York Avenue
5:30 -- Stand in Solidarity with Teamsters Local 814


twitter: #occupymuseums

CLICK THE OM LOGO AT THE TOP OF THE POST TO READ THE NEW ARTINFO ESSAY BY BEN DAVIS, "Why I Support the Occupy Museums Protesters, and Why You Should Too."

 

CLICK THE IMAGE TO GET MORE INFO AT THE OCCUPY MUSEUMS FACEBOOK PAGE.

Thursday
Oct272011

We Are the 99% (as we gather together) 

hello, we made this video with grounded tv, its the preamble to the declaration of the occupation of nyc

... please watch it! also we are working on the rest of the demands--- more music!

thanks, savitri


director// reverend billy & the church of stop shopping

[FIND MORE INCREDIBLE #OWS Video & New Media Projects in the Occupennial Art Database, HERE.]

Thursday
Oct272011

Flow chart of the Declaration of the Occupation

Click on the image to zoom in

Flow chart of the Declaration of the Occupation

by Rachel Schragis

 

To zoom in, visit: http://zoom.it/MFXB#full

Thursday
Oct272011

Design 111 and #OccupytheClassroom

http://occupytheclassroom.tumblr.com/

Julie Takacs teaches Design 111 at SUNY Cobleskill. The students of her class happened to be studying texture/collage as the #OccupyWallStreet movement began to go nationwide. After discussing the situation in class, she challenged them to create a collage that expressed their viewpoint on #OWS. Shedidn’t influence them on which side they would take, but allowed them to use their own personal situation as the basis for their work.

The students presented their collages to the class and in doing so they shared their ideas and opinions. Art is a strong form of communication and she wanted to show her class how to take their work to a wider audience beyond the classroom by posting and sharing on the internet. The tumblr platform seemed perfect for the art show, so the class elected the name for this blog and agreed to have their work published on the web.

After this work was done, she presented the projects to a group of senior graphic designers. They are supplying the tumblr blog with the graphics they did for the campus.

The names of the participants:

The Design Class: Serifat Adesina, Jim Buzon, Mike Constantino, Samantha Dequatro, Noelle Gushlaw, Kemar Hemmings, Sydney Hewitt, Kumasi Knight, Victoria Kodak, Kristie Laverdiere, Aaron Maas, Hailey Markel, Jason Marrano, Josh Meilak, Alexis Peters, Heather Price, Adolfina Rodriguez, Brittany Schell, Kayla Shea, Danielle Sweetser, Brian Walker, Beth Watson, Professor Julie Takacs

Graphic Design Club: Professor Margrethe Lauber, Bianca Ramos, Hannah Nye

 

Wednesday
Oct262011

Occupy Halloween-PLANNING UPDATE!

Occupy Wall St. has been invited to join the largest public halloween parade in the nation!
For more information about OWS's participation the Halloween parade, visit: http://occupyhalloween.typepad.com/occupyhalloween/

If you're interested in paraticipating, there are several meet-ups in the next few days:

For puppet building, please contact Joe or Alma with questions or days and times you're planning on coming by!  Our contact info can be foudn at the bottom of the post.  The studio is in Joe's name and he is the mind behind the puppets we are building. 

Tuesday, Wednesday, Thursday 
Build puppets and paint banners 6pm to midight 
20 Jay Street, Brooklyn (A or F) 

Friday 
Build and paint all day! 
20 Jay Street, Brooklyn (A or F) 

Saturday 
1pm - Battery Park 
Participation and Info Meet Up! 
Come by the park to take a look at the puppets, meet some of the 
people involved and let us know if and how you'd like to participate 
the day of Halloween!  We will have a few choreographers, make up 
artists and others there if you need some assistance organizing and in 
general want to hear your plans for the parade. 

Sunday 
1pm - Battery Park 
Rehearsals and Report Backs! 
People who want to be in the Superheroes v Supervillains morning event 
or want to be in the parade, come to the park so we can settle any 
last minute logistic questions and check in on the various projects 
culminating on Halloween. 

Monday - Halloween! 
9am - Superheroes v. Economic Supervillains 
Contact Gan at gangolan@gmail.com, for more details.  We will have 
costumed crusaders, such as the Master of Degrees, there to fight the 
social and political inequities of our system.  Watch for an all out 
battle and contact Gan if you want to participate! 

7:30pm - Parade! 
We will begin meeting for the parade!  Please get in touch for more 
details on where to meet and how the blocs will be arranged. 

Conact info:

General email - powertothepuppets@gmail.com 
Joe - loucrimson@yahoo.com 
Gan - gangolan@gmail.com 
Alma - wafflesushi@gmail.com

Wednesday
Oct262011

Occupy Design

Great new website that provides downloads of informational graphics about income inequality: http://occupydesign.org

 



Wednesday
Oct262011

OWS, from A-Z, by Theodore Hamm

A=arraign; arrears; arrests

Many came to Occupy Wall Street because they are in arrears, only to be arrested, with some even arraigned.

B=Bloomberg; Brookfield Properties; Brooklyn Bridge

Bloomberg and his buddies at Brookfield were dismayed when the mass arrests on the Brooklyn Bridge failed to stop the protests.

C= commune; cops; corporations

While some folks are creating a commune, cops are protecting corporations.

D= democracy, American; democracy, direct

American democracy is controlled by political parties that respond to money, whereas direct democracy is handled by participants answering to each other.

E= exhilaration; existentialism; experience

Joining together with your fellow ninety-nine percenters can be an exhilarating existential experience.

F= freedom of speech; free market

Fuck that free market nonsense, the protesters say, exercising their right to free speech.

G=grip, gripe

Many who gripe about the OWS protests need to get a grip.

H=Hydra; hydrate

Donated supplies continue to hydrate the Hydra.

I=individualism; indivisible

I pledge allegiance to Occupy Wall Street, and to the democracy for which it stands, indivisible, with liberty and justice for the 99%.

J=jackboots; Jacobins

Don’t let the jackboots turn you into Jacobins.

K=Kelly, Ray; kettling

Kelly and his keepers keep on kettling.

L=love

At the risk of seeming ridiculous, let me echo Che’s statement: “At the risk of seeming ridiculous, let me say that the true revolutionary is guided by a great feeling of love.”  

M=money

A question for the banks: “Where’s the money, Money?”

N=Nine; Ninety-Nine


We are the 99 percent; You are the 99 percent—and all of us will gain nothing from 9-9-9 or any other nefarious nostrums.

O=occupation

The lack of meaningful occupations has led many 20-somethings to join the Occupation.

P=Percent, One

Lots of folks in the one percent will gladly tell you that they are part of the middle class.

Q=quest; quixotic

Ending inequality may seem like a quixotic quest, but the fight has to start somewhere.

R=revel; revelation; revolution

Many revel in the revelation that a revolution is upon us.

S= shambles; shame

American democracy is in shambles, and it’s a shame.

T= Tea Party

The Tea Party is astroturf, but OWS is grassroots.

U=usual; usurp

Rather than accept business as usual, OWS usurped national attention.

V=Vendetta

If there’s one flick that all the protesters seem to like, it’s V for Vendetta.

W=Wall Street

If there’s one place that none of the protesters seem to like, it’s Wall Street.

X=Malcolm

If there’s one radical figure that nobody on Wall Street likes, it’s Malcolm X.

Y=Yippies; yuppies

When OWS protesters channel the spirit of Abbie Hoffman and the Yippies, yuppies get nervous.

Z=Zuccotti Park

Though it sounds like an Italian restaurant, Zuccotti Park is actually the site of the New York City Commune.