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The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupationalartschool(at)gmail(dot)com .

Saturday
Nov192011

Occupy Yourself

Occupy Yourself… We are living Installations

The Movie

Michael Alan 

In solidarity with the occupation of Liberty Square

AT Judson Church entrance  

55 Washington Square South

Saturday, November 19th, 7pm till 10pmish

Free

 

a film about change, the limits of freedom, and an attack on fear. Working with the human body, metamorphosing into a living breathing installation that demonstrates we can withstand anything put onto us. Through intricate connections and juxtapositions in the guise of random chaos, these living installations transcend the injustices of the material world by employing these same materials upside down. We are more than property. We are more than buildings. We are part of Life. Living, breathing potential fire. With the ability to do anything. This is about people, not about businesses, faceless corporations or technology.

 

Through the simplest materials mixed and smashed, masks, multiple textures, stolen objects, and cut-up drawings rearranged artist Michael Alan adds on to his team of friends, and family. These fearless art activists armed, activated Glue-sprayed flesh joins together, splattered to combine into one boundless, self-aware living work of awarness. This artistic expression is in direct response to the confusing, uncertain and downtrodden world we all seem to experience. Occupy Yourself is a call to all individuals to become aware that limits are self-imposed and can be changed by going beyond barriers, thinking outside what you what should do, and joining together to overcome our imagined adversaries.

 

Action

OccupyYourself the movie will project on the Church entrance of Judson, were the political asylum is being held for the occupiers. Project it onto the entrance, then repeat and project many times, giving positive messages throughout the night to whoever shows. Everyone is asked to meet at 7pm at entrance of the church for a night of peace, and positive celebration of life. 

 

Michael Alan, Garry Boake, in solidarity with the Occupation of Liberty Square invite you for a night of Old time projection, awareness, and fun.This is a peace full action symbolizing Freedom and a pause in time, a new start, The entrance of the church represents a new beginning. OccupyYourself, Live Now, lets all get activated. Projection on the streets is a way to speak to the world around you. 

 

Cast and crew:  Garry Boake, Dave Modello, Theresa Magario ™, Michael Alan

Steev Perez, Raquel Mavecq, Kim De'ville, Kenny Scharf, Worm Carnevale, Teddi Rogers, Raquel Echanique, Dylan Morgan, Dave1,

Jarvis Jun Earnshaw, Emil BN,  George Marango, Nick Greenwald, Ana Andrade,  Julie Turner and many more

 

 



Friday
Nov182011

Amorphous Politics 

On Amorphous Politics by Patrick Lichty

 

 

Since the turn of the millennium, there has been a turn toward new forms of sociopolitical dissent.  These include strategies such as cellular forms or resistance like asymmetrical warfare in terms of global insurgencies, the use of social media like Twitter and Facebook to lens dissent for actions like those in Syria, Egypt and Tunisia, Wikileaks and its mirrors, and political movements that use anarchistic forms of collective action such as the Occupy.  Although my focus is more concerned with the Occupy Movement, what is evident is what I call an amorphous politics of dissent.  Amorphous is defined as “without shape”, and can be applied to most of the mise en scenes listed above.

The dissonance of power in regards to conventional politics can be seen in its structure.  For example, the nation-state has a tiered structure of power relations.  There is a President or Prime Minister, a legislative organ of MPs or Representatives, Parliaments, Houses, and the like, a judicial organ, and a Military organ.  Although I am referring to US/UK forms of government, we can also argue for the hierarchical form in terms of the corporation, with its CEO, Board, Shareholders, Managers, and Workers, and even Feudal lords with their retinue of vassals and nobles and Warlords with the coteries of warriors and support personnel.  The point to this is that conventional power operates roughly pyramidally with a centralized figurehead.  One can argue that the pyramid may have different shapes, or angles of distribution of power, but in the end, there is usually a terminal figure of authority. To put it in terms of stereotypical Science Fiction terminology, when the alien comes to Earth the standard story is that it pops out of the spacecraft and says, “Take me to your leader.”  Leadership is the conventional paradigm of power in Western culture, and dominates the industrialized world.  

Territorialization refers to the exertion of power along perimeters, or borders.  Functionaries expressing the constriction of territory include customs agents, border patrols, but terminally is expressed by the military wing of the nation state.  This military is also generally pyramidally constructed in terms of generals, colonels, and other officers leading battalions, regiments and divisions, which are organized as defenders of a nation’s sovereignty.  These military organs are conversely best optimized to exert their power against either parallel or subordinate structures. That is, parallel structures include the armies of other nations, their generals, colonels, majors, et al, and their troops and ordnance. Subordinate structures over which military powers can exert power over are the (relatively) unarmed masses that can be overrun with overwhelming power, although these forces are more specialized (National Guards and Gendarmeries).  In the conventional sense, power is expressed orthogonally, whether it is against an equal or subordinate force.

Another aspect of this conversation relates to power and force through conflict as expressed by violence, but has its inconsistencies.  Most of the pop cultural examples I will use later in this missive to explain amorphous action are violent in nature, but is not related to the paradigmatic jamming of conventional power.  It is more related to the fact of conventional power’s orthogony, or parallelism of exertion of power.  There are examples of violent and peaceful exertion of amorphous dissent as well as orthogonal conflict.  In amorphous conflict or dissent, we could cite the Occupy movement as passive, and the Tunisian uprising as violent, and the Gandhi/King model of non-violent action as orthogonal/hierarchical/led, and World War Two as conventional orthogonal conflict.  What is important here is the inability of conventional politics and power to cope with leaderless, non-hierarchical, non-orthogonal discourse that refuses to talk in like terms such as centralization, leadership and conventional negotiations that include concepts such as demands.   This is where the site of cognitive dissonance erupts.

The need for the traditional power structure to focus identity on the antagonist in terms of figureheads is evident in the Middle East and Eurasia, but is more simply illustrated in the films Alien and Aliens, and Star Trek, The Next Generation. Both of these feature their respective antagonists, the “alien” as archetypal Other, and the Borg, symbol of autonomous, collective community.  In Alien, the crew of the Nostromo encounter an alien derelict ship that has been mysteriously disabled to find a hive of eggs of alien creatures whose sole role is the creation of egg factories for further reproduction.  In the Alan Dean Foster book adaptation and an extended edit of the film, Ripley finds during her escape that Captain Dallas has been captured and organically transformed into a half-human egg-layer whom she immolates with a flamethrower.  However, in the Aliens sequel, the amorphous society of the self replicating aliens has been replaced by a centralized hive, dominated by a gigantic Queen that threatens to impregnated the daughter-surrogate Newt.   This transformation creates a figurehead for the threat and establishes a clear protagonist/antagonist/threat relationship, and establishes traditional orthogony.

This simplification of dialectic of asymmetrical politics is also evidenced in Star Trek the Next Generation by the coming of the Borg, a collective race of cybernetic individuals.   Although representations of the Borg vary as to fictional timeline, in televised media they began as a faceless hive-mind, which abducted Captain Jean-Luc Picard as a mouthpiece, not as a leader.  It was inferred that if one sliced off or destroyed a percentage of a Borg ship, you did not disable it; you merely had the percentage left coming at you just as fast.  However, by the movie First Contact,  the Borg now possess a hierarchical command structure to their network and, more importantly, a queen.  With the assimilated and reclaimed android Lieutenant Data, the crew of the Enterprise infiltrates higher level functions of the Borg Collective, effectively shutting down the subordinate elements of the Hive.  In addition, the Queen/Leader is defeated, assuring traditional figurehead/hierarchy power relations rather than having to deal with the problems of the amorphous, autonomous mass.   There are other “amorphous” metaphors in cinema that address the issue of amorphousness. These include the 1958 movie, The Blob,  in which a giant amoeba attacks a small town and grows at it engulfs everything,  The Thing, which is about a parasitic alien that doppelgangs its victims, or Invasion of the Body Snatchers  that was a metaphor for the Communist threat of the Red Scare.

Perhaps one of the most asymmetric cultural forms in terms of traditional power is the involvement of Anonymous as part of the Occupy Movement. Anonymous, which has been called a “hacker group” in the mass media, is a taxonomy created on the online image sharing community 4chan.org, but has been ascribed to various factions using the term. According to The State News, “Anonymous has no leader or controlling party and relies on the collective power of its individual participants acting in such a way that the net effect benefits the group.“  The idea of Anonymous fits with the “faceless collectives” mentioned above, and certainly presents an asymmetric, if not non-orthogonal, exercise of power.  Anonymous is an ad hoc voice of dissent that emerged against the Church of Scientology (see Project Chanology), where flash mobs of individuals in Guy Fawkes masks and suits arrived to protest at sites around the world.  It has engaged in other activities, including hacking credit card infrastructures opposed to handling donations to Wikileaks and creating media around Occupy Wall Street. However, without a clear infrastructure and only transient figureheads, Anonymous functions as an organizing frame for a cloud of individuals interested in various collective actions, and represents an indefinite politics based on networked culture.

Another dissonance between the Occupy Movement and conventional politics is the perceived lack of agenda.  This is due to its dispersion of discourse in giving its constituents collective importance in voice. What is the agenda of the disempowered 99% of Americans, or world citizens marginalized by global concentration of wealth?  The agenda is for the disempowered to be heard, simply put.  What does that mean?  It means anything from forgivenesss of student loans to jobs to redistribution of wealth to affordable heath care, and so on.  It isn’t a list, it is a call to systemic change of the means of production, distribution of wealth and empowerment in political discourse.  It isn’t as simple as “We want a 5% cut in taxes for those making under $30,000.”  It’s more akin to “We’re tired that there are so many sick, hungry, poor and uneducated, and we want it to end. Let’s figure it out.”  It is the invitation to the beginning of a conversation that has no simple answers other than the very alteration of a paradigm of disparity that has arisen over the past 40 years through American capitalism.

The last difference the traditional power discourse is that of passive resistance.  This is not a new concept, especially under the aegis of Gandhi and King conceptions.  However, it is traditional power’s mere tolerance of nonviolent resistance that does not result in violence.  As long as resistance does not present undue inconvenience for the circulation of power and capital, it is allowed.  The irony of the technical loophole of Zucotti Park being privately owned and having few rules allowed the Occupy movement also highlights the tenuousness of public discourse in Millennial America. However, even with this oddity, on the two-month anniversary of Occupy Wall Street, force has begun to be used against the occupiers as traditional power’s patience grows thin with amorphous politics. In the streets, the marches are split up, and rules about occupation begin to be enforced with cupidity.

The new forms of politics are based on plurality, collectivism and ideas. The hierarchical nation state has no idea what to do with the amorphous blob as it grows except to try to contain it, but as with Anonymous, it is a whack-a-mole game.   If one smacks down one protest, two pop up across town, or five websites pop up on the Net.  Shut down Wikileaks, and a thousand mirror sites show up.  People in the streets swarm New York and other cities throughout the US, and the world, and conflict arises.  Asymmetry and amorphousness are dissonances to traditional power.

Ideas in themselves are not hierarchical.

Desires sometimes have no agendas.

Sometimes people want what is right, and all of it.

 

 

Patrick Lichty

voyd@voyd.com

distributed via <nettime>: no commercial use without permission

 

 

Thursday
Nov172011

DISKJAMMY #8: CALL FOR COLLAB

Diskjammy

CLICK THE IMAGE TO GO TO SEE THE PROSPECTUS.

#OCCUPYTHISMIXTAPE!!

A note from Jesse Darling:

Hi there,
I make a collaborative digital mixtape project inspired by the principles of bricolage, open-source and P2P data-sharing. It's always a jam and it's always a kind of experiment: each Diskjammy mixtape is a compilation of songs submitted by different people, from all over the world, in response to a brief. This brief takes the form of a particular theme or idea, and I try to keep these broad and universally resonant.

The theme for Diskjammy #8 had to be #occupy, or: "what are YOU fighting for?"

I'm looking for people's original music, spoken word, first-person accounts - or just favourite protest songs, good jams, music that represents this moment. I know there's been a lot of singing around Zucotti & environs - I wonder if you might post up the call for submissions, and help me make the mixtape-that-is-a-snapshot-of-a-movement. The greater the range and diversity of submissions, the better.

Let me know what you think.
Love & solidarity,
Jesse.

 

FROM THE PROSPECTUS:

What are YOU fighting for?


I want your songs of rage, your battle-cries, your protest songs; I want the new young soldier, the voice of a generation; I want the song that speaks of what has made you angry again, even after ten years or twenty; I want the song that wordlessly expresses all you care about. I want the song whose harmonies suggest new models for non-hierarchical self-organization. I want your tracts. I want voice recordings made in your bedroom or on your bike; I want you to identify, and express, what kind of a war we're fighting, and to speak your part in it - in your own words or someone else's, with beats or countermelodies, with silence, with breaks, with speech, with sound.

The mixtape is the quintessential token of exchange in a gift economy wherein love is the common currency (for a person, for an idea, or for the music itself). This seems appropriate enough given that the mechanisms of market capital are breaking down on all sides. "Something has been going on between the left earphone and the right earphone of this generation that represents a profound change in attitude" (Paul Mason, as before). I look forward to hearing it in mine.


[somewhat arbitrary but strictly enforced]
** SUBMISSION DEADLINE: 25/11/11 ** 

Thursday
Nov172011

Occupy Records

http://api.ning.com/files/KqHaBz0UYi7Sjh-w6mQI*I-kR0WqHMBUxy3eKqGJA7QNBd8501EdeNCju4A5xkFurMHhC6YskFWR6r1uSV0lOLmAkVcdSka8/revoluyion1.jpg

Image added to OR website by DISCOJANE!

Occupy Records

What we're doing at Occupy Records is creating a platform to facilitate the connection between artists and fans who are involved with or inspired by the global Occupy movement.

Up until this point, there has been a lot of great music that's been created but no central place to share it or find it.  Thus, our initial goal is to encourage everyone - artists, music fans, activists, and anyone interested to join the community, share and connect with each other.

Going forward, we're going to be facilitating a series of releases of original music inspired by the Occupy movement that will benefit the cause, along with events, original video content, and other cool stuff. 

The ultimate goal is to have Occupy Records develop into its own self-sustaining media portal, allowing an organic global culture to flourish without interference from corporate interest.

Please enjoy the site, use it to share everything that inspires you, and spread the word.

Thursday
Nov172011

Occupy Design

AreYouDoing.png

Click the image to learn more about Occupy Design, download images and find inspiration and visualization for 99% art and action.

Thursday
Nov172011

#OWS Screenprinting Lab

Click the image to visit the Screenprinting Lab archive at Flickr.

Thursday
Nov172011

Ken Jacobs Screening, Nov 13 2011

The night before the raid

 

OCCUPY CINEMA

Thursday
Nov172011

#Occupytheory at Gallatin

The Gallatin Galleries is pleased to announce:
#Occupytheory: A participatory panel event and discussion
...in conjunction with the exhibit This is what democracy looks like

1 Washington Pl, New York, NY 10009 (Broadway and Washington Pl) 
Friday, November 18. 7:30pm-10:30pm


 

Thursday
Nov172011

Occupy Discussion at 3rd Ward

Graphic by Occupy Design

Saturday November 19th, 2011

Imagining a Future // A Discussion about Occupy Wall Street

5:30 pm - 7:30 pm
195 Morgan Avenue, Free

People from across the country and globe are joining the creative community around the Occupy Wall Street Movement, bringing together performers, poets, designers, builders, filmmakers, photographers, and musicians both online and in physical space.

Join us for an evening of discussion and informal presentations from groups helping shape these creative explorations: Occupy Cinema, Occupy Design, the OWS Screenprinting Lab, and more. Hear about their experiences from the field, how they’ve organized their art and performance actions, and discuss the accomplishments and challenges that have emerged within the arts at OWS.

These emergent creative networks are working through new processes to collaborate, critique, and creatively imagine our political and economic future. This event is for anyone would like to ask questions, offer critiques, learn more, or get involved with the creative communities that have mobilized around Occupy Wall Street.

RSVP at www.3rdward.com/rsvp

For more information about the creative responses to OWS, visit http://www.occupennial.org/





Wednesday
Nov162011

March for Black Friday

https://mail.google.com/mail/?ui=2&ik=65725a2d17&view=att&th=133af08f17bf275c&attid=0.1&disp=inline&zw

Hello OWS A&C,

This is my first time writing your group. I joined because I didn't know how else to reach you all to see if you'd be able to help. The people from Occupy 477 Harlem are planning a March for Black Friday. I realize it may be short notice to ask for your help, but we really do need it if we stand a chance making our vision happen.

We are planning a silent march where we would also blindfold our marchers. We'd have them all hold on to ropes that will be held by Lady Justice. The other March facilitators would also hopefully be dressed as Lady Justices. The reason for this is that the march's message is around Slavery and Reparations. We want a Lady Justice that can see to be leading the blind through our march which will also be a teach-in. We will be making stops in places that are meaningful towards how slavery was facilitated and became a source of income in NYC. We will leave from Liberty, our first stop will be at Stuyvesant HS, named after Mayor Stuyvesant who was the mayor to open NYC ports to slavery making it the second largest next to North Carolina. The second would be at Foley Sq, which is also part of the African Burial ground. The third would be at Seaport which was the port where slaves came into NYC. The fourth will be the NYSE where slaves were traded. We will end at Liberty.

We were actually inspired by the beautiful Lady Justice that was coming to OWS a few weeks back. Idk if there's any way to contact her and see if she'd be interested in participating.

If there is any way this group can help make our vision come to life we would greatly appreciate it. Any questions are welcome.

Much Love to all of you,
Chanel

chanel7139@gmail.com



Wednesday
Nov162011

Barricade the Barricade, or Occupy Red Cube

To all performers, artists, merry-makers, interested parties, and any seeking justice for the 99%…

Start your day bright and early to greet the Wall Streeters on their way to work with a dose of rebellious performance

Any performers willing to support this action would be greatly appreciated.

Thursday, November 17
8:00am meet up at Red Cube
8:30am Performance

Barricade the Barricade, or Occupy Red Cube
Help Us Free Public Art

In support of Occupy Wall Street and the Day of Global Action, please join us as we build a living sculpture to surround the Red Cube at Broadway and Liberty, across from Liberty Square. By linking our bodies in the creation of our own public art form, we can render useless the barricades that tarnish the art work displayed on our city streets. Isamu Noguchi, the sculptor of Red Cube, is quoted as saying, “the sculptor is not merely a decorator of buildings but a serious collaborator with the architect in the creation of significant space and of significant shapes which define this space.” (blueofsky.com). Let’s form a living sculpture around the entire Cube and show the world how powerful our bodies can be in defining our space! We will occupy public art and take back what is intentioned for public access! The group, intertwined in various and intricate ways, will remain still and strong throughout the 30 minute performance. Only when participants hear the sound of a helicopter (sure to be there) will they shift their poses to face the Cube. When participants hear the sound of a siren, they will shift to face away from the Cube. These interactions with environment, along with our intertwined bodies, remind us how interconnected we really are.

Any and all are welcome to join our living sculpture. No prior experience necessary.
Wear read in solidarity with the Cube.

There will be a sign detailing 5 simple rules for this action, so any passersby may join:

  1. Observe the human barricade/sculpture.
  2. Join human sculpture/barricade whenever a traffic light turns green. Link to someone else and find a comfortable pose you can sustain. Please respect self and others when connecting to other bodies.
  3. When you hear a helicopter, shift your pose to face inward toward the Cube.
  4. When you hear a siren, shift your pose to face outward away from the Cube.
  5. Come and go as you please, when a traffic light turns green.
 

We also welcome musicians, puppeters, and any others who wish to share their talents in this inspiring action. Come support the sculpture with your creativity!!

See you there!!

Peace together,

Amy



Wednesday
Nov162011

See more of Sharon Rosenzweig's investigative Occupy cartoons in our Political Cartoon Section.

Wednesday
Nov162011

11-15

Here is an image of a drawing I did today from a Daily News photo taken at last night's raid.  (Photographer: John Taggert). - Kathleen McDermott

Tuesday
Nov152011

NYCGA ARTS & CULTURE IN ACTION

THIS IS WHAT A 1% POLICE STATE LOOKS LIKE!

See more images HERE at the Facing Change blog.

Tuesday
Nov152011

WHAT DO WE DO NOW?

By Occupennial Co-organizer Paul McLean

Since late September, Occupennial has provided artists with the opportunity to share art inspired by the occupation of Zuccotti Park in the financial district of lower Manhattan, and satellite occupations that have sprung up around the country and the world. Occupennial has opened a virtual space in which documentation of #OWS and other occupations can be catalogued and revisited. We have created areas for memorializing the artist actions that have helped shape and empower #OWS, and we have built the architecture for occupant artist community and production, including listings, proposal throughputs, resource exchanges and a growing network of organizations and venues dedicated to supporting 99% expression in all its peaceful, artist forms. Occupennial has also initiated a program of actualization for occupation-generated artist projects, starting with our successful collaboration with Printed Matter in Chelsea, with other amazing ventures currently in process.

The police action and clearance of Liberty Square in the early morning hours of November 15 remind us of the tremendous importance of establishing and maintaining an archive of the Occupy art that is inspiring the 99% to stand up and displace the 1% choke-hold on our commonwealth, and democracy. The urgency of your contributing to our database, chronicling this historic moment couldn't be greater. It would be a tragic cultural loss to let the memory of #OccupyWallStreet, and the hundreds of occupations that have occurred in communities of every description, spanning the globe, to fade away. Therefore, we at Occupennial once more ask you to please send us your photos, videos, poems, songs, paintings, drawings, cartoons, ideas, texts and art-action documentation, so we can continue to grow a communal archive for the occupation.

Contact us:
Use the CONTACT button at the top of the page or send your content via email to occupennial@gmail.com

Send us your Occupy art, etc., and occupation documentation:
Use the CONTACT button at the top of the page or send your content via email to occupennial@gmail.com; or use the Drop Box in the sidebar.

Sweeping away the encampment at Liberty Square will not stop the Occupation. It's too late for that, now. ...But it's up to us, the 99%, to insist on our own survival as a movement, and as free people. To ensure our cause doesn't disappear we must commit to preserve the shared memory of what we've done individually and together, what we've expressed, to continue our actions in support of #OWS and all the occupations, and to create new expressions of 99% solidarity every day, wherever we are.

With love and appreciation,
Paul

Tuesday
Nov152011

REMEMBER LIBERTY!!

Painting by Katherine Gressel

Tuesday
Nov152011

ATTN: 100,000 NYC ARTISTS!!

Monday
Nov142011

OccupyPortraits.blogspot.com

SHARE YOUR OCCUPATION ART

Are you an artist? Can you draw? Our project is to support the Occupy Wall Street movement by making protraits of the occupants, documenting the range of participants and recording their messages, using our special skills as artists.

The Occupy movement is now global. We ope to collect images from artists everywhere.

Send us your art from your Occupation. Please send 72 dpi jpegs or a link to your web album to sbrzweig@gmail.com.


This is a quick sketch of a mother and son.  He had been in the navy for 10 years, he's now in the reserves.  He said, "People in the military are just like everyone else-- we know the difference between right and wrong."  His mom looked on as passerbys eagerly engaged him in conversation: "I was a single mom," she said.  I must have raised him right."

OccupyWall Street, Oct. 15. Andrea Kantrowitz.



Monday
Nov142011

OCCUPIED BLUESTOCKINGS: Reminder!

Painting by Alex Powers

From Janelle of Bluestockings:

Hi Everyone,
Some of you may remember the call for art I posted back on the A&C google group a few weeks ago.  Many of you in A&C, and in other OWS working groups responded with some absolutely amazing contributions, and I just want to invite all of you to the opening tomorrow night. Organizing this show was such an awesome experience! I collaborated with so many kick-ass artists, performers, and activists.  I hope you all can come to BLUESTOCKINGS tonight at 7pm to celebrate some of the amazing artwork coming out of the Occupy Movement.
-Janelle

MORE INFO HERE.