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The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupationalartschool(at)gmail(dot)com .

Entries in occupy wall street (76)

Sunday
Nov202011

A New Day Begins At Occupy Wall Street

A New Day Begins At Occupy Wall Street from Claire on Vimeo.

 

8mm film by Claire Kelley

This Super 8 film was shot a half hour after police confiscated generators at Liberty Plaza and 24 hours before a snowstorm hit New York.

I showed it at the Detours film festival in Greece a few weeks ago
(http://www.festivaldetours.org/).

Claire

Saturday
Nov192011

Remember Liberty Square!

Painting by Katherine Gressel

Thursday
Nov172011

#OWS Screenprinting Lab

Click the image to visit the Screenprinting Lab archive at Flickr.

Wednesday
Nov162011

11-15

Here is an image of a drawing I did today from a Daily News photo taken at last night's raid.  (Photographer: John Taggert). - Kathleen McDermott

Tuesday
Nov152011

NYCGA ARTS & CULTURE IN ACTION

THIS IS WHAT A 1% POLICE STATE LOOKS LIKE!

See more images HERE at the Facing Change blog.

Tuesday
Nov152011

WHAT DO WE DO NOW?

By Occupennial Co-organizer Paul McLean

Since late September, Occupennial has provided artists with the opportunity to share art inspired by the occupation of Zuccotti Park in the financial district of lower Manhattan, and satellite occupations that have sprung up around the country and the world. Occupennial has opened a virtual space in which documentation of #OWS and other occupations can be catalogued and revisited. We have created areas for memorializing the artist actions that have helped shape and empower #OWS, and we have built the architecture for occupant artist community and production, including listings, proposal throughputs, resource exchanges and a growing network of organizations and venues dedicated to supporting 99% expression in all its peaceful, artist forms. Occupennial has also initiated a program of actualization for occupation-generated artist projects, starting with our successful collaboration with Printed Matter in Chelsea, with other amazing ventures currently in process.

The police action and clearance of Liberty Square in the early morning hours of November 15 remind us of the tremendous importance of establishing and maintaining an archive of the Occupy art that is inspiring the 99% to stand up and displace the 1% choke-hold on our commonwealth, and democracy. The urgency of your contributing to our database, chronicling this historic moment couldn't be greater. It would be a tragic cultural loss to let the memory of #OccupyWallStreet, and the hundreds of occupations that have occurred in communities of every description, spanning the globe, to fade away. Therefore, we at Occupennial once more ask you to please send us your photos, videos, poems, songs, paintings, drawings, cartoons, ideas, texts and art-action documentation, so we can continue to grow a communal archive for the occupation.

Contact us:
Use the CONTACT button at the top of the page or send your content via email to occupennial@gmail.com

Send us your Occupy art, etc., and occupation documentation:
Use the CONTACT button at the top of the page or send your content via email to occupennial@gmail.com; or use the Drop Box in the sidebar.

Sweeping away the encampment at Liberty Square will not stop the Occupation. It's too late for that, now. ...But it's up to us, the 99%, to insist on our own survival as a movement, and as free people. To ensure our cause doesn't disappear we must commit to preserve the shared memory of what we've done individually and together, what we've expressed, to continue our actions in support of #OWS and all the occupations, and to create new expressions of 99% solidarity every day, wherever we are.

With love and appreciation,
Paul

Monday
Nov142011

By Mark Hurwitt

Saturday
Nov122011

Curb Exchange

Please join us on Sunday, November 13 for Curb Exchange, a self-guided audio- and print walking tour of Wall Street that explores the history of the neighborhood and the financial system from the perspective of the people. Come and learn about the historic struggles that have led to the rise of the Occupy Wall Street movement!

We are proud to be endorsed by the Arts & Culture NYC General Assembly Working Group. We encourage the 99% — including all occupiers, supporters, activists, volunteers, and citizens — to take the Curb Exchange tour, which explores the history of the neighborhood and the global financial system it has come to symbolize from the perspective of the people.

We'll be meeting up at newsstand outside of 40 Wall Street on Sunday, November 13 at 2 pm. Download the audio tour beforehand at www.curbexchange.org.

Start Curb Exchange tour at newsstand outside of 40 Wall Street

Hope to see you there!

Friday
Nov112011

From the Brooklyn Rail

99% - The Occupy Wall Street Collaborative Film
TUESDAY, NOVEMBER 15 AT 7:30 PM
UNION DOCS // 322 UNION AVE. BK, NY
FREE // DONATIONS TOWARD FILM ACCEPTED

Please join the Brooklyn Rail and UnionDocs for a collaborative (yet structured) event about the feature documentary in-progress: 99% - The Occupy Wall Street Collaborative Film.  The event will consist of a screening of material followed by a moderated Q&A with both NYC-based participating filmmakers and contributors across the U.S. via Skype about the opportunities and challenges in making a collaborative documentary about a current event.  It will then be opened to questions from the audience followed by an informal reception. Space is limited so please arrive promptly.

The Rail's Williams Cole will introduce and the Q&A will be moderated by Christopher Campbell, film critic for the Documentary Channel, IndieWIRE, and Movies.com, where he writes the bi-weekly Doc Talk column.

99% - The Occupy Wall Street Collaborative Film is a feature documentary film spearheaded by over 50 independent filmmakers, photographers, and videographers across the country. The end product will be a compelling, cinematic, resonant, and honest portrait of the Occupy Wall Street movement. Founded by NYC filmmakers Audrey Ewell and Aaron Aites, the project currently counts among its collaborative many award-winning documentary producers, directors, musicians, and editors (as well as PR people and distributors) including Michael Galinsky and Suki Hawley (Battle for Brooklyn, Horns and Halos), Ava DuVernay (distributor of independent black films via AFFRM, director/producer I Will Follow), Aaron Yanes as supervising editor (a frequent Barry Levinson editor, he's also edited many award-winning features and documentaries, from Sundance Grand Jury Prize winner Padre Nuestro to James Toback's Cannes prize-winning Tyson), Tyler Brodie (Another Earth, Terri), Bob Ray (Total Badass), and many more.

SPACE IS LIMITED. PLEASE ARRIVE PROMPTLY.

Wednesday
Nov092011

Portraits of the Occupation

Click to the image to visit a great new blog featuring occupational portraits, where artists can digitally submit images for posting. The blogger is linked to Sharon & Aaron's comix site, which also features some of Sharon's new Occupy comix/portraits of occupiers (see the Occupennial Political Cartoons section for a link, or click on the picture below).

Tuesday
Nov082011

Open Letter to Mark Di Suvero re: Police Barricades of His Sculpture Joie De Vivre in Liberty Plaza.

Dear Mark Di Suvero,

We are artists and art workers forming the Arts & Culture working group of the Occupy Wall Street (OWS) movement.

OWS is a people-powered movement inspired by popular uprisings in the Middle East, Europe and South America. OWS is now in 100 cities in the United States, with actions in over 1,500 global cities. We are working to create new social forms to supplant the obsolete models currently in place, holding banks and corporations accountable for buying out democracy, and sacking the economy.

OWS is organized horizontally to bring participatory democracy. The “people’s assembly” is a forum used all over the world to facilitate collective decision making, with shared roots in the history of democratic movements, dating back centuries. The OWS General Assembly welcomes people from all ethnicities, genders, sexualities and beliefs to attend and participate in direct democratic decision making.

Your sculpture, “Joie De Vivre,” at Liberty Plaza (“Zuccotti Park”) has served as a visual backdrop for the movement in New York. The area underneath and around the sculpture has hosted meetings, rendezvous points, teach-ins and concerts. We are conscious of your role in the creation of the Peace Tower (1966 and 2006), and your public opposition to the wars in Vietnam and Iraq. Your work is an integral part of our collective history, and the tradition of artists who exercise their responsibility as public citizens.

Recently, after one individual climbed the sculpture, city authorities placed barricades around “Joie De Vivre”, cutting off access and separating it from the politically activated space of Liberty Plaza. Some of the barricades carry Metropolitan Museum of Art signage as well as NYPD stickers (see attached photos). This was an unnecessary overreaction in light of OWS’ track record as a peaceful, proactive movement, generating conversation and fostering community and engagement. Recently, Community Board 1, which consists of the neighborhood’s residents, voted to request the city to remove unnecessary barricades from the area, especially in light of the OWS’s stated commitment to nonviolence.

We believe that cordoning off your gift to the people of New York goes against your intentions for the work, as well as the very spirit of public art. “Joie de Vivre” is especially poignant as this movement actively fights to empower people of marginalized economic status. Indeed, that struggle is the joy of life.

OWS is now in Day 52. This movement will only continue to grow and evolve. It is our wish, and we believe yours as well, that the sculpture be integrated spatially with the activities taking place at Liberty Plaza. Therefore, we ask you to make a public statement urging city authorities to keep all barricades away from this and other public sculptures in the area, allowing free access to the area under and around public sculptures.

We would also like to invite you to speak at a teach-in related to the political role of artists. We would be happy to host such a teach-in at Liberty Plaza, including a conversation about the history of the Peace Tower and other socially engaged public art. We are interested in sharing with you the past actions and future goals of the Arts and Culture committee, and listening to your thoughts on the movement.

Sincerely,

Arts & Culture Committee Contact: arts_culture@nycga.net

Joie De Vivre: before barricades (transgender teach-in)

Joie De Vivre: before barricades (construction worker talks to media)

Joie De Vivre: after barricades (with Metropolitan Museum of Art signage)

Joie De Vivre: after barricades (with NYPD guards)

Joie De Vivre: after barricades (with NYPD guards)

Mark Di Suvero's "Joie De Vivre", after barricades (with NYPD Community Affairs guard)

Monday
Nov072011

Occupy Brooklyn Rail

Several pieces came out of the Occupy reading at Bowery Poetry Club last month that Brooklyn Rail has published in the November issue. These include:

The publication contains other terrific #OWS coverage, too.

Below is one of the poems Brenda Coultas read at BPC:

 

A Gaze

I

A man texts a photograph of his meal, but to who? Himself or others?

Others too, texting in a crowd on a 1st aveune as glaciers recede.

They do not feel the fading cold of the ice. Only the heat of the keys strokes.

 

A man texts crystal water glass pixels to quench real thirst.

 

I texted forward a rumor of siphoned great lakes water to China. A Chinese bureaucrat texts images of fresh lake water to billions at home.

 

At the top of a mountain, where only small mamals live, the air is thin and gives me panic. I do not belong above the tree line even though I can drive there. Stopping to send a pic of the lichen sponge by the gift shop on the glacier, the phone lens: an extension of my eyes.

At times, I forget that I am not an extention of the machine until I burn my palms touching a hot metal pot: recoil and remember to use hot pads to protect the flesh fabric that covers the hand bones.

 

From the glacier tops, bodies of mountian climbers in the dead zone; Will their corpses sweeten or enbitter the drinkers of the Ganges?

 

 The leather shoes of the ice man texted forward. Sometimes, the tap runs while I brush my teeth and empty bathwater down the drain.

 

The last glass of water sits before you, how will you drink it?

We load the car on hwy 50 the lonliest highway in the USA. It whines through Nevada crossing the poney express route and ancient seabeds. Crinoid stems thirst for the ancient sea.

 

Last glass of glacier water boils in the kettle.  Saffron threads of a viking beard cloud the water glass.

 

Theft of water, relocation, diverted from its bed.  Hydrofracting.  I never thought they’d use our water against us.

 

When we began with this full jug of water, without thinking until the police chased us away from the creek of who owns the water, like who owns the sky. Or that satilite overhead, branded by a private owner over public space.

 

Wanted to absorb it, to get to the bottom and start all over again. A great anixiety about finishing and throwing it away, with a inch still in the bottom, the backwash.

 

Who owns the creeks and waterways of this valley? The only legal course is midstream so that anglers can trout fish without tresspass.

 

Into the last glass, I stir the reindeer scat with a herding stick captured from the thaw.

 

The water, sometimes they use it against us.  I question the interaction between the sythentic (the plastic) and the real inside of the jug on the table.  The water is an hour glass, and I write fast as I can before it runs dry

 

A glass of water from last glacier sits before you on the table, you glaze at the logo of an abundant flowing stream or the name of the spring which somehow sounds pure and far away as an ice berg, calved off and lassoed from the warming world. Even though you know the source  is a corporate tap of public water.

 

Fertilzer runs off into our family well. I used to picture a whale, a Moby Dick under the cornfield, a levathian as the source of our water. Because only a vessel the size of a sperm whale could contain the water that flowed on conmand from the tap. Even though people spoke of the well running dry. Ours magically replenished itself under the blanket of  Monstanto crops.

 

It flows on the green logo and facsmile of a mountain stream of abundant water. Abundant: a 20th century word.

 

“Natural” is highlighted and in a yellow circle it is written, “contains 16 servings” and there are only two of us left since this, now nearly empty, jug was opened.

Monday
Nov072011

Live Painting at Liberty Square, with Katherine Gressel!

Hello all, just a heads up that I will be attempting some small plein-air acrylic paintings onsite at the park this afternoon. Was a last-minute realization that I'm able to do it today (due to some schedule changes) which is why I didn't promote it or anything. So it's a bit of an experiment to see what happens when I go there, how people react, etc. Will try to be post some pics later...I should be there between 12:30-5:30 or whenever it gets dark. I welcome comments/suggestions...hopefully i can find at least one more day besides today to go down there and do this before it gets too cold!

Katherine

Friday
Nov042011

@OCCUPYALERT

Tell others to join via SMS by texting:
@occupyalert to 23559

 

  • Attached is a QR code that will load the message into people's phones.  
  • Please hit social media: post this number/info to Facebook and Twitter 



Tuesday
Nov012011

"Evil Empire"

Shared with Occupennial by artist Vittorio Ottaviani

The painting refers to the  abuse of power.  Some of the officials that we elect to represent our voices seem to be motivated by personal greed, which leads to unfortunate consequences for the general population.

2011. Oil on Mahogany, 31 x 44

Tuesday
Nov012011

Reposted from ARTSblog

The Art Inside #OccupyWallStreet

Posted by Amanda Alef On October - 31 - 2011

The art of signs used at #OWS (photo from hyperallergic.com)

Throughout history art has been fundamentally intertwined with social movements and political activism and it continually serves as a critical avenue through which to question, comment on, and influence change in the world around it. And this time around is no exception.

While the Occupy Wall Street movement continues to gain momentum, the arts have become a unique tool in the movement’s development and have played a central role in the creative expression of the movement’s message.

On any given day the artistic pulse of the movement can be witnessed through the countless cardboard signs on display throughout downtown Manhattan’s Zuccoti Park, as well as the emergence of a screenprinting lab, daily open stage performances, and the constant presence of musicians who add song to the movement’s message.

Only fourteen days after protesters began occupying, the formation of the Arts and Culture Committee emerged as a subcommittee of the movement’s general assembly. This collection of painters, graphic designers, musicians, art students, and more, represents the creative voices of the movement and have been working to support the peaceful occupation of Liberty Square and to foster participation in the creation of cultural work that amplifies the movement’s message.

Last week I reached out to the Arts and Culture Committee to learn more about their mission, message, and how the arts have been playing a part in uniting and driving the movement on the ground level:

Amanda Alef: What is the mission and role of the Arts and Culture Committee in the #OccupyWallStreet (OWS) movement?

Arts and Culture Committee: Communication through art is essential to this movement. We, the Arts and Culture Committee of #OccupyWallStreet, believe art is not a luxury item. It is a commonwealth that belongs not just to the 1%, but to all of us. We believe that art-making is not privileged to so-called talent or relegated to extracurricular activity, but, rather, that it is a universal language that is essential to human growth, learning, happiness, and sustainability.

By engaging artists within the occupation and by sharing the principles of the occupation with those on the outside, we will build a creative revolution together.

We encourage artists to create their individual mission statements with the same love, patience, and care that one gives to a work of art. We are not a political party or a nonprofit corporation—we are a social movement. And we, the 99%, give ourselves and you the permission to continue to re-imagine what a mission statement can be. Let’s dream big together.

AA: In what ways are the protestors at OWS utilizing artistic practices to express their political and personal viewpoints?

ACC: The occupation itself is art, birthed from a set of values and principles that activate creative, independent, and critical thought. We are painting signs and bodies, playing music, dancing, singing, and composing poems. We are occupying NYC with street theater and interventions. We are sharing stories and books. We are mounting art exhibits and libraries. We are building websites, taking photographs, making movies, archiving work, and bearing witness.

AA: What role have the arts played in the development of the OWS movement and its message thus far? And in what ways can they contribute to sustaining this movement?

ACC: #OccupyWallStreet is our Constitutional right to free speech and free expression. Art has always been at the forefront of these rights. It is as much a part of the occupation as eating, sleeping, marching, and talking. We are occupying Wall Street and making art at the same time and for the same reason. We make visible the cracks in society and fill them with creative solutions.

AA: Since its conception, have more artists been joining the movement? And in what ways can they contribute creatively to the movement?

ACC: Artists from around the world are joining us daily. We encourage supporters, some of whom may never before have dared to identify as “artists,” to tap into their inner creativity and collaborate with us. We are actively reaching out to others to help us build a broader and stronger community that provokes an alternative dialogue.

We encourage artists to occupy beyond Wall Street. We must occupy our homes, our studios, our museums, our schools, our workplaces, our neighborhoods, our towns, and cities. We must bring the art of the people back to the people.

AA: What types of art or cultural events have taken place during or in connection to the occupation?

ACC: Some of the art that has already happened at #OccupyWallStreet is archived at http://www.occupennial.org/ows-art-listing/ and https://www.nycga.net/groups/arts-and-culture/. We are constantly developing more art actions for the near future.

The #OccupyWallStreet movement has received much interest from many different people, projects, and institutions. This support is welcome provided that these parties follow or are open to dialogue about adopting our principles. Some commercial galleries and institutions have tried to take advantage of this movement by appropriating the name, symbols, and art of the movement without abiding by its principles. Some have deliberately deceived artists in order to amplify their agendas and increase their personal profits.

It is important for us to remember that we are not a business. We are not a political party. We are not an advertising campaign. We are not a brand. We are not for sale. We support partnerships with those who wish to make this movement accessible to all, regardless of economic, political, ethnic, or social status.

[NOTE: ARTSblog is the online journal for Americans for the Arts. The responses above were developed through AC working groups.]

Tuesday
Nov012011

“L’histoire du Soldat” At Zuccotti, Nov. 3rd, 5-6pm

Stravinsky’s timeless and haunting “L’histoire du Soldat” (“The Soldier’s Tale”), a parable for three actors and seven musicians, will be performed for Occupy Wall Street at Zuccotti Park by Broadway actors and New York musicians on Nov. 3rd from 5-6pm, with a possible additional performance on Nov. 4th.


*(NOTE: Nov. 4th is our back-up rain delay date!  We’ll keep you posted!)*

Stravinsky and C.F. Ramuz’s hour-long tale/ballet/oratorio tells the story of a Soldier on leave to see his sweetheart.  Nearly home, he is sidetracked by the Devil.  In an infernal insider-trading scheme, the Soldier gains a magic book that tells the future of the economy, but, in return, must give up his precious violin.   Imprisoned - by the Devil, his newfound wealth, and his own delusions - this veteran is separated from his loved ones and true happiness.  This fairy tale, spoken in sparkling verse to some of Stravinsky’s most charming and memorable music, is about the complex nature of greed, and the meaning and price of freedom. Its themes resonate effortlessly with the aims and ideals of the Occupy Wall Street movement.

Starring famed New York actors Erik Liberman (Broadway, “LoveMusik,” Helen Hayes-Award Winner for “Merrily We Roll Along”), Elizabeth Stanley (Broadway, “Company,” “Cry-Baby,”), and Nick Choksi (“Invasion” at The Flea, “Twelfth Night” with Sonnet Rep, regular on “One Life to Live”), and with some of New York’s finest contemporary music performers conducted by Ryan McAdams, this one-time-only performance explores the relationships between money, love, and happiness through a fairy tale that is, like all great fairy tales, beautiful, terrifying, funny, and deeply moving. 

Tuesday
Nov012011

Occupennial Update - 10.30.11

Hey all. Lots of progress on numerous fronts.

Yaelle spearheaded a major overhaul/streamlining organizational restructuring of the Occupennial website, spending a lot of hours adding/shifting content to make the site more usable. If you take a peek at Occupennial.org, you'll see the sidebars (right and left) contain a lot fewer sections. The subsections are more sensible. I won't spend a lot of time going thru the details, since we'll be discussing this at tomorrow's meeting. Great job Yaelle!

Monty Stilson took on admin role for the photography section and massively streamlined that area. For now, there are just three individual galleries online. We will be adding the general galleries (protests, protesters, signs) in the next several days. Monty purchased the domain Occupeyes.org so we can have a direct link site to migrate the individual photog galleries offsite after a period where each is featured (as they come in). All will be added to the 3 databases, which can be expanded, if we need more categories down the line. Monty also set up a facebook site for Occupeyes, so we can offer users the option of data-dumping/direct uploading their images (from protests, in real time), it that's their preference/immediate need. We can discuss more the photo archives/galleries at tomorrow's meeting.

The big news is the upgrade. Thanks to Monty for doing the purchase up-front! The Occupennial site is now capable of having forms, so we can set up our throughputs like so:

Project-proposals, guild/AC/Occupennial inquiries
> through Occupennial forms
> Guilds
> back to Occupennial for documentation/bundling
> AC for approval
> if AC approved, to GA for approval/funding if necessary
> funds to the artists/projects if approved by GA
> actualization
> evaluation by all parties
> documentation at Occupennial and/or the AC site (to be), as well as in the various guild sites

I sent an email to all the guild folk letting them know about the forms.

Since our Monday meeting will be a quickie, focused on site structure, and because two of the bundled projects are still in process of revision, I'm holding off on listing here in any detail what we'll be bringing to AC later in the week for approval. Here's the list in brief:

    •    OWS/Low Lives
    •    Pop-UP/Zuccotti
    •    Printed Matter Storefront Window Display for November
    •    Joy Behar (artist tour of Liberty Sq)

The outreach letter is in process. Sally is hacking at that today/tomorrow. Tamara of Fab wrote over the weekend she's looking forward to working with us to get the word out. I attended a Communications/Outreach meeting last Wednesday, during which the Outreach guy mentioned they have a very large list of people who want to get involved. I'll be contacting the OR peeps this week to see if they can help with our efforts. Hopefully by the end of the week we'll be able to begin our campaign to build teams for tasks/attracting content/submissions.

Last, Chris is planning on developing an OWS art history section for the site, and I reached out to Blithe, asking if she wanted to facilitate a similar section for artist/work issues.

Think that's it for now..
p


Thursday
Oct272011

NYCGA Hand Gestures

A Flickr photoset by "Newest Mutant"

 

Thursday
Oct272011

16 Beaver [10.28.11]

Friday - 10.28.11 – Occupation: Calls and Responses

Contents:
1. About this Friday
2. A call
3. A note on the format
4. Links

__________________________________________________
1. About this Friday

What: Presentations and discussion
When: Friday -- 10.28.11 @ 7:00PM
Where: 16 Beaver Street, 4th Floor
Who: Free and open to all

As Occupy Wall Street stretches into its sixth week and spreads across the
globe, a variety of questions have emerged about the directions it can
take.

What are the modes in which artists and cultural workers have contributed
or could imagine contributing to the ongoing occupation(s)? What
situations or processes can be constructed (collectively)?

As people form affinity groups and begin to find experiences of a unitary
time, what new forms of life are potentially emerging? What kinds of
actions and infrastructures could support generalizing and supporting the
reproduction of such forms of life or culture?

If one of the strengths of this emergent movement is its ability to embody
a different politics, what kinds of consequences does it have in the
sphere of culture? How might the know-how and know-what of architects,
artists, filmmakers, writers, thinkers, teachers, and students contribute
toward the development of a new political culture / movement?

We would like to use the space this Friday evening to consider some of
these different approaches and imagine together potential ways in which
these processes can be intensified.

Aside from the risks of any police actions, are the risks of certain
normalizing processes entering, which risk delimiting the potential growth
and experimentation inherent in this process? And at what stage and in
what manner do we implicate (occupy?) the institutions (from universities
to museums) which have assumed (often uncritically) the same neoliberal
values, measures and cultures which have produced this crisis?

Of course, there is already an aesthetic dimension to the ongoing
occupation, one that links bodies laying claim to the space of the street,
with images and sounds of those bodies transmitted across the planet.
Moreover, artists and cultural workers have participated in organization,
planning, logistics, and practice of the occupation in varied ways. From
working inside the various work groups of the general assembly, to others
who have contributed with ‘protest art’ of slogans, chants, signs,
puppets, music, screenings, programming, hacking, diverse interventions,
teach-ins, performances, acts of civil disobedience, and audio-video
documentation of all of the above.

While acknowledging the importance of these manifestations, and wanting to
see and hear more of them, we also wonder what ways can our particular
know-how be elaborated at this juncture? What else can be made visible,
audible, legible?

What we want to do is give space to consider and bring various positions
and proposals together in one room. The hope is to create a space oriented
toward amelioration and development of actions, new uses of this context,
development of new proposals, rather than appearing smart or right or
taking the position of a spectator (however emancipated).

__________________________________________________
2. A call

Bring proposals, sketches, ideas for actions, events, words, images,
demonstrations, both possible and impossible. Share reports or
documentation of things that have happened, may have happened, failed, or
could be done.

________________________________________________
3. A note on the format

Everyone is welcome to come and to contribute to discussion.

For those interested in presenting, a computer and projector will be
available to amplify sound and show images. In order to speed up
transitions between presenters, interested contributors are encouraged to
submit materials in advance via file-sharing services (dropbox, yousendit,
etc.). Please send a link to the materials to the following email address:

16beaversubmit@gmail.com

Those who are not able to submit materials in advance are still invited to
bring them on Friday, but also encouraged to arrive a bit early.

Please anticipate short presentations, approximately 5-7 minutes each. We
will try to adjust the timing of the presentations (shorter or longer) to
accommodate the number of respondents.

__________________________________________________
4. Links

NYC General Assembly: http://nycga.net/
NYCGA Arts & Culture working group:
http://www.nycga.net/groups/arts-and-culture/
NYCGA Direct Action working group:
http://www.nycga.net/groups/direct-action/
NYCGA Media working group: http://www.nycga.net/groups/media/

Occupy Wall Street: http://occupywallst.org/

Global Revolution: http://www.livestream.com/globalrevolution

Franco Berardi & Geert Lovink
"A Call to the Army of Love and to the Army of Software"
http://networkcultures.org/wpmu/geert/2011/10/12/franco-berardi-geert-lovink-a-call-to-the-army-of-love-and-to-the-army-of-software/

And And And
"Letter To the General Assembly and Affinity Groups of Occupy Wall Street"
http://andandand.org/event10_letter_to_ows.pdf

__________________________________________________
16 Beaver Group
16 Beaver Street, 4th fl.
New York, NY 10004

for directions/subscriptions/info visit:
http://www.16beavergroup.org

TRAINS:
4,5 -- Bowling Green
2,3 -- Wall Street
J,Z -- Broad Street
R -- Whitehall
1 -- South Ferry